Gary Goldman
When Gary Goldman met Don Bluth at Walt Disney Studios in 1972, they formed an instant friendship, soon realizing that they both shared the desire of restoring the heritage of classical animation to today's animated films, their friendship eventually turned into a creative partnership that has lasted over 30 years. Born in Oakland and raised in Watsonville, California, as a youth, Goldman studied piano and enjoyed model-making and drawing. Before devoting himself entirely to the arts, he served as an electronics technician in the United States Air Force (1962-1967). He received his Associate of Arts Degree (1969) from Cabrillo College near Santa Cruz, California, and in December, 1971, he graduated with a Bachelor of Fine Arts degree in Life Drawing and Art History from the University of Hawaii. In early 1972, he began his career in animation when he joined Walt Disney Productions. His first assignment was as an "in-betweener" to legendary Disney animator Frank Thomas on the film Robin Hood (1973). He then worked alongside Don Bluth, as an animator, on Winnie the Pooh and Tigger Too (1974) and The Rescuers (1977) before serving as directing animator on Pete's Dragon (1977) and The Small One (1978). In an effort to accelerate their skills in preparation for leadership assignments within the Disney organization, Goldman and Bluth began to probe every aspect of animated production. United by the same goal of restoring the lost techniques of classical animation, Goldman and Bluth, with animator John Pomeroy, produced (in Bluth's garage) the classically animated television special Banjo the Woodpile Cat (1979). It took four years, working nights and weekends. It won the National Film Advisory Board Award for excellence and the Golden Scroll Award from the Academy of Science Fiction, Fantasy and Horror Films. Using what they learned on their "GARAGE" project, they implemented their techniques on projects at Disney. Divided by disagreements over story and production values, Goldman, along with Bluth and Pomeroy, resigned from Walt Disney Productions to establish their independent animation studio, Don Bluth Productions, Inc. (1979).
Known For
DirectorKnown Credits
1Birthday
16-11-1944Place of Birth
Oakland, CAGary Goldman
When Gary Goldman met Don Bluth at Walt Disney Studios in 1972, they formed an instant friendship, soon realizing that they both shared the desire of restoring the heritage of classical animation to today's animated films, their friendship eventually turned into a creative partnership that has lasted over 30 years. Born in Oakland and raised in Watsonville, California, as a youth, Goldman studied piano and enjoyed model-making and drawing. Before devoting himself entirely to the arts, he served as an electronics technician in the United States Air Force (1962-1967). He received his Associate of Arts Degree (1969) from Cabrillo College near Santa Cruz, California, and in December, 1971, he graduated with a Bachelor of Fine Arts degree in Life Drawing and Art History from the University of Hawaii. In early 1972, he began his career in animation when he joined Walt Disney Productions. His first assignment was as an "in-betweener" to legendary Disney animator Frank Thomas on the film Robin Hood (1973). He then worked alongside Don Bluth, as an animator, on Winnie the Pooh and Tigger Too (1974) and The Rescuers (1977) before serving as directing animator on Pete's Dragon (1977) and The Small One (1978). In an effort to accelerate their skills in preparation for leadership assignments within the Disney organization, Goldman and Bluth began to probe every aspect of animated production. United by the same goal of restoring the lost techniques of classical animation, Goldman and Bluth, with animator John Pomeroy, produced (in Bluth's garage) the classically animated television special Banjo the Woodpile Cat (1979). It took four years, working nights and weekends. It won the National Film Advisory Board Award for excellence and the Golden Scroll Award from the Academy of Science Fiction, Fantasy and Horror Films. Using what they learned on their "GARAGE" project, they implemented their techniques on projects at Disney. Divided by disagreements over story and production values, Goldman, along with Bluth and Pomeroy, resigned from Walt Disney Productions to establish their independent animation studio, Don Bluth Productions, Inc. (1979).
